Now, “baby’s first sexual awakening” sounds ridiculous because the movie definitely lost most of the musical’s subtle sensuality for tango dancing Dread Pirate Roberts and 2000s era Gerard Butler. ![]() ![]() ![]() Listen to the latest episode of the AIPT Movies Podcast! Yes, this is a thirst retrospective, you clicked on this, and you can either abandon ship or strap on for the ride. For me, to accurately describe my relationship with this film is to acknowledge just how much it meant to me in one special way: it was baby’s sexual awakening. That’s fine and commendable because that means you’re either normal or not a theater kid that has tons of opinions about Broadway musicals! Well, I am not normal and I’m a theater kid In Name Only because acting school just ain’t a thing in Tennessee. I am guessing that many of you that will be reading this either despised, never seen, or are completely ambivalent to Joel Schumacher’s critically maligned adaptation of Phantom of the Opera. So enjoy my first retrospective about Joel Schumacher and Andrew Lloyd Webber’s 2004 adaptation of Phantom of the Opera! ![]() “Monster” is going to be a totally subjective term for this series and I’m mostly going to be writing about movies that set off the good ol’ brainworms. Insert a very dramatic, ominous organ because welcome to Monstrous Babes, a semi-regular series of retrospectives and reviews on films where the main romance is centered around a human and a monster.
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